Known as “C” or peanut body. Sides, neck and bridge blocks were constructed of a Poplar frame, stapled together. The unpainted sides were covered in a whitish vinyl material. Known as the “U” model body. Much like a Fender Jaquar in shape with a double cutaway body with the bass horn being the longest. Danelectro models had solid Poplar body, Coral sitar has a semi-hollow Poplar body. Peanut style bodies had bolt-on necks with an aluminum neck rod that went from the peghead to the bridge. The rod was then screwed to the body with 2 screws.
dating silvertone guitar(?)
Reading pot codes How to read pot codes, and what they mean An early s pot from a Gibson guitar. Once decoded, the writing on the back or sides can be very informative If you’ve been reading articles about dating a vintage guitar, you may well have come across mention of pot codes. The pots, or potentiometers to give their full name, are the variable resistors that control volume and tone.
Silvertone U-1 electric bass in BLACK FINISH with lots of honest road and gig wear – made in USA – pot codes date to This U1 is for the player who is looking for beater-comfy bass to play.
Original Fisher speaker dates 14th week of ’66 as well. This amp really does tap into what made Fender’s Tweed amps great, and at a fraction of the price, the Silvertone is one of the best bargains on the vintage amp market. With simple controls for Volume and Tone for both the Mic and Instrument inputs, the amp also boasts a powerful bias-based tremolo circuit that has a great pulse and smooth waveform. Point-to-point, hand wired circuit boasts the original paper in oil capacitors, carbon comp resistors, and CTS pots which date to early ‘ Both of the original transformers are intact, and the amp is stocked with its original pair of Silvertone branded RCA 6V6 power tubes.
The speaker is the original Fisher alnico driver that compliments the sound of the circuit well and features a date code on the magnet bell from the 14th week of The amp is in fantastic overall cosmetic condition, with the original gray thatched covering, wheat grillcloth with sparkle thread, and a minty aluminum faceplate that retains all of the original knobs and black silkscreen text.
This is a very clean and complete vintage Silvertone with a well maintained and very original circuit!
Silvertone 1484 Guitar Amplifier
Trying to date Silvertone Mandolin Thanks, Mike. I wanted to take pictures in the state received, and thankfully the tailpiece situation was appreciated by whoever had it last and all the strings are at almost zero tension. The tuners all turn pretty well. I’ll be taking off every thing I can at this point, so I can get it cleaner.
Welcome to This site is made available as a reference for Magnatone Amps. The main product of my research is The History of Magnatone Amplifiers .
Item Prices subject to change without notice. Silvertone Model “Wishbook” Special Model Semi-Hollow Body Electric Guitar, made by Danelectro , made in Neptune, NJ, serial , brown lacquer with sparkles finish, masonite and pine body, poplar neck with rosewood fingerboard, original grey chipboard case. This fairly rare Danelectro-made Silvertone model was only offered in the Sears Christmas “Wishbooks”, paired with a very small amp in the specific years , ’59 and ‘ These were clearly intended for beginning electric guitar players, and were the forerunners to the familiar “amp-in-case” models that proved massively popular in the mid ‘s.
This guitar is dated to the 20th week of and must have been one of the very last ones produced, perhaps the result of some lingering seasonal orders! It also represents the last of the original single-cutaway ‘s style Danno instruments with the old “Coke bottle” headstock, being replaced by this point with flashier designs. The familiar ‘s sparkle paint finish makes an early appearance here, though over a medium brown base coat it is less flashy than later iterations.
The single center-mounted pickup provides a unique tone, rich in snarly midrange. Overall a cool and unusual Danelectro with a fun story behind it. All original with some minor wear most noticeable on the headstock edges and rubbing off of the sparkles in well-played areas. Overall Excellent – Condition.
Silvertone’s 1449 and 1423
These amps are all hand wired and used high quality components like the RCA sourced 6L6 power tubes and Jensen brand speakers. Sears contracted with Danelectro of to bring the series of amplifiers to the public through their catalog. The was initially introduced as a bass amplifier so they made a lot fewer of them than the rest of the series.
Harmony guitars database – Information for all Harmony fans.
The latest offerings are the pivotal and Vintage models, some will recall, included a tube amp built into the case. While the reissue does not include a case with integrated amp, when compared to a pristine original, the feel of the reissue is nearly dead-on. However, it must be noted that the sound of the vintage lipsticks varied greatly from guitar to guitar.
According to Tony De La Rosa of Silvertone, the Samick folks sift through as many originals as is necessary to find an exemplary guitar on which to base a reissue. The new has a full Plugged in, however, the difference is slim, with the vintage model having just a bit more woody lower midrange. Thanks to a modern dual-action truss rod, sealed tuners, and a through-body bridge with individual string saddles, the reissue can be made to tune, intonate, and play consistently.
The same can seldom be said of a vintage example. In use, the new produces nearly the same tones as the original — perfect for a working guitarist who desires the tone and aesthetic appeal of an original but requires consistency and the ability to fully tweak action and intonation.
Silvertone 1448 With Case Amp 1960s Black
This particular model is called the and bridged the gap between the short scale, single pickup also in black sparkle , and the full scale red burst, two pickup This was only around for a year or two, circa Two magnetic pickups widen and enrich sound. Tremolo adds exciting pulsating professional effects.
On electric guitars with “DeArmond” pickups, you should be able to find a precise date stamped on the back of the pickups, or on the back of the pickguard (some screws to remove). These are supposedly the manufacture date of the electrical harness or pickguard assembly, by Rowe Industries, but should give a close guess to the year of production of the guitar itself.
The guitars, especially the s models, are frequently prized by collectors today. Two of the best-known Silvertone offerings are the Danelectro-built Silvertone and , made in the early to mid s. The had a single lipstick pickup ,  while the was equipped with a two-pickup configuration,  and was succeeded in by the model. Beck ‘s main guitar is the Similarly the Silvertone “Twin Twelve” 60 Watt guitar amplifier , introduced in as an affordable beginner’s amp, has gained a collectors’ following, since artists like Jack White, Beck, Coldplay , and others have been known to use it.
Samick rebrand[ edit ] Rights to the Silvertone brand were purchased by Samick Music Corporation in
Please update your browser to use Reverb
The instruments are listed in chronological order from left oldest to right more recent. The gallery will continue to grow as we get more Silvertones. The purpose of this gallery is to help identify all the Vintage Silvertone guitars from the ‘s through the early ‘s. We’re major fan of Silvertones and have discovered that there’s a lot of misinformation out there.
Options: peter blegvad-guitar, silvertone model number anywhere i need. Demont guitars will begin with confidence on, silvertone archtop guitar are built in the summer of them. O, rsb at gear4music. They look at the are. polish dating in ireland amp, instant satisfaction of antique radio guitar package is memorable for the top of guitars? Subscribe subscribed.
You gotta have a guitar. And the amp electronics have to be housed in some sort of a cabinet. In the Epiphone Banjo Company changed its name to Epiphone and introduced a line of electric guitars and amplifiers called Electraphones, which was almost immediately changed to Electar. These included electric Spanish archtop guitars, Hawaiian lap steels, and little amplifiers designed and built by Nat Daniel.
In Epiphone offered its Electar Model C Hawaiian guitar with an amp built into the case, designed by our friend Nat. Both of these featured a little pearloid-covered Supro Electric Hawaiian Guitar tucked into an amp in case unit. Obviously, Daniel thought the idea was good enough. Daniel worked for Epiphone until They began selling Danelectro-branded guitars and amps in around The first were the smaller black-sparkle-finished Masonite one-pickup No.
They were targeted at maturing Baby Boomers who were doing Beach Blanket Bingo with Annette from the Mickey Mouse Club or, more likely, imagining that they were , switching from Folk to surf rock, starting bands in their suddenly suburban garages. A population on the go, on brand new Interstate superhighways. Well, you get the point. Whether due to the ownership change or coincidence, the Dano line was shuffled.
The Lap Steel Guitar
This great little amp now resides happily with its new owner in Charleston, South Carolina. The 10 XL is a single channel, watt peak combo amp for electric guitar with a very cool built-in tube-powered tremolo effect. This little amp first appeared in the Sears Catalog as a watt tube-powered amp and, transformed into to a solid-state amp around , and then discontinued in
Silvertone was the brand name that Sears was using for all of their musically related products in the s including guitars, amplifiers, radios, record players and more. Sears would contract with another manufacturer to make products that they could then sell through their popular catalog.
Stromberg-Voisinet Aero- uke c. In , later president Henry Kay “Hank” Kuhrmeyer joined the company, and in , with the help of an investor,  he bought the company and started producing electric guitars and amplifiers. Activity on Kuhrmeyer-era — [ edit ] The company initially manufactured only traditional folk instruments,[ citation needed ] but eventually grew to make a wide variety of stringed instruments, including violins , cellos , banjos , upright basses —and a variety of different types of guitars , including classical guitars , lap steel guitars , semi-acoustic guitars , and solid body electrics.
Some of Kay’s lower-grade instruments were marketed under the Knox and Kent brand names. In addition to manufacturing instruments for sale under its own brands, Kay was also a prolific manufacturer of “house branded” guitars and folk instruments for other Chicago-based instrument makers and, at times, for major department stores including Sears and Montgomery Ward.
Kay also made guitar amplifiers , beginning with designs carried over from the old Stromberg company. Kay eventually subcontracted its amplifier production to Chicago music industry rival Valco in the s. Decline on Katz-era — [ edit ] After the retirement of Kuhrmeyer in , the company was taken over by Sidney M.
The product line of Kay was shifted toward electric musical instruments on demands, and in , the company moved to a new factory in Elk Grove Village, Illinois. In Katz sold Kay to Seeburg Corporation , and he became the head of Seeburg’s musical instrument division. In , Kay was resold and merged with Valco , but dissolved in due to financial problems.
The upright bass and cello lines were sold to Engelhardt-Link , a new company formed by a previous Valco member, which has continued production see Kay basses for details. The Kay name and some of its trademarks, such as Knox[ citation needed ] were acquired by Teisco importer, Weiss Musical Instruments  W. Enterprises Tony Blair purchased the Kay trademark.